浮雕的二种基本形态——高浮雕和低浮雕。
Two basic forms of relief - high relief and low relief.

高浮雕高浮雕由于起位较高、较厚，形体压缩程度较小，因此其空间构造和塑造特征更接近于圆雕，甚至部分局部处理完全采用圆雕的处理方式。
High relief, high relief due to play a bit higher, with a thick, physical compression to a lesser extent, so its spatial structure and shape features closer to sculpture in the round, or even part of local treatment of fully using the sculpture processing mode.

高浮雕往往利用三维形体的空间起伏或夸张处理，形成浓缩的空间深度感和强烈的视觉冲击力，使浮雕艺术对于形象的塑造具有一种特别的表现力和魅力。法国巴黎戴高乐广场凯旋门上的着名建筑浮雕《1792年的出发》，是高浮雕的杰作。
High relief often use the 3D object space fluctuation or exaggeration, forming a concentrated space a sense of depth and strong visual impact, make Cameo Art for the image with a special expressive and charm. Paris, France, De Gaulle square on the famous building relief "1792", is a masterpiece of high relief.

艺术家将圆雕与浮雕的处理手法加以成功的结合，充分地表现出人物相互叠错、起伏变化的复杂层次关系，给人以强烈的、扑面而来的视觉冲击感。
Artists will be combined with the successful handling of the relief sculpture in the round with, fully showed character overlap each other in the wrong, ups and downs of a complex hierarchy, give a person with strong, blow on the face and visual impact.

浅浮雕浅浮雕起位较低，形体压缩较大，平面感较强，更大程度地接近于绘画形式。郑州浮雕它主要不是靠实体性空间来营造空间效果，而更多地利用绘画的描绘手法或透视、错觉等处理方式来造成较抽象的压缩空间，这有利于加强浮雕适合于载体的依附性。美索不达米亚的古亚述人，大概是最善长于用此手段进行艺术表现的艺术家。
The relief of shallow relief is lower, the body is compressed and the plane feels stronger, and it is more close to the form of painting. Zhengzhou relief it mainly does not depend on the substantial space to create spatial effects, and greater use of painting descriptions or perspective, illusion and other treatment to make the more abstract space compression, which is conducive to strengthen relief for carrier in the attachment. Mesopotamia's ancient Assyria, probably the most good at the art performance of the artist.

在一系列的“亚述人狩猎图”中，他们很好地运用浅浮雕手法，富有节奏感和韵律感地表现出充满生气的艺术形象，并以复杂的动势贴切地展现出人物和动物的内在情感。浮雕空间压缩程度的选择，通常要考虑表现对象的功能、主题、环境位置和光线等因素，其中环境与光线因素起着决定性作用。
In a series of "the Assyrian hunting", they very well using shallow relief gimmick, rich sense of rhythm and rhyme sense with angry art image, and to complex EMFs aptly show the inner emotion of people and animals. The choice of the degree of relief space compression, usually to take into account the performance of the object, subject, environment, location and light and other factors, in which the environment and light factors play a decisive role.

优秀的雕塑家总能很好地处理这些关系，从而使作品达到良好的视觉效果。
Good sculptor can always deal with these relations well, so that works to achieve a good visual effect.

在充分表达审美思想情感的基本创作原则之下，郑州浮雕的不同形态各有艺术品格上的侧重或表现的适应性。
In the full expression of the aesthetic ideas and feelings of the basic principles of emotion, the different forms of the Zhengzhou relief work of art on the focus or the performance of the adaptive.

一般地说，高浮雕较大的空间深度和较强的可塑性，赋予其情感表达形式以庄重、沉稳、严肃、浑厚的效果和恢弘的气势；浅浮雕则以行云流水般涌动的绘画性线条和多视点切入的平面性构图，传递着轻音乐般的平和情调和抒情诗般的浪漫柔情。
In general, high relief larger space depth and strong plasticity, giving the emotional expression form a dignified, calm, serious, vigorous effect and grand momentum; shallow relief to Hangyunliushui like surging painting lines and multi perspective of plane composition, passing light music like flat and tone and lyrical poems like the romantic tenderness.

雕塑艺术的发展使圆雕日益强化了它的相对独立性，相比之下，浮雕虽然更多地受制于一种依存关系，即对“平面”或“墙面”的依赖，但其独特的表现特质和丰富的雕塑性造型手段仍是其它艺术形式无法替代的。
The development of sculpture art make Yuandiao increasingly strengthened its independence. In contrast, relief although more subject to a dependency, i.e., dependence on "flat" or "wall", but can not be replaced by its unique characteristics and rich sculpture modeling means is still open to other art forms.

而且，其审美特性在现代艺术革命的促进下，也日益强化了它的相对独立性。郑州浮雕对固定“墙面”的依赖性和适应性，在现代浮雕上已不再象古典浮雕那样显得那么地强烈、拘谨和不可动摇。
Moreover, the aesthetic characteristics of the modern art revolution, but also increasingly strengthen its relative independence. Zhengzhou relief on the wall "fixed" dependent and adaptive, in the modern relief no longer like classical relief looked as so strong, stiff and inflexible.

对现代浮雕而言，作为载体或环境的“墙面”是自由的、可选择的，它因此具有自由发展的广阔空间。
In the modern relief, as a carrier or the environment of the "wall" is free, optional, it has a broad space for the development of free.