大家可能听说过，铜雕较石雕容易复制、造假这种说法。就雕塑艺术本身而言，铜雕比石雕更容易展示艺术家的思想，且石材具有很强的局限性。

    You may have heard of a stone, bronze is easy to copy, this is fake. On the bronze sculpture art itself, easier to show the artist's thoughts than the stone, and the stone is very limited.

    无论石雕还是铜雕，都需要模型。而铜雕是从原稿倒模出来的，基本能保证九成的准确性，这才是“保真”； 而石雕是对着原作来敲石头，始终会存在偏差。能达到八成的相似度已经不错了，有时只能得到六成的效果，这反而是“失真”了。

    No matter or stone sculpture, all need to model. While the bronze is from the original mold can basically ensure accuracy of 90%, this is the "fidelity"; stone carving is in front of the original to hammer out of the stones, there will always be deviation. Can reach 80% of the similarity has been good, and sometimes can only get six of the effect, which is the anti distortion.

    有人可能会诟病，铜雕因为沙眼问题，放久了恐怕要生锈。这样的认识也很肤浅。收藏一定要看重名家，注重艺术品牌。人们购买雕塑作品，买的是艺术家本身的创造性，而不是材料的价值。

    Some people may be criticized, because the bronze trachoma problem, put a long time I am afraid to rust. Such a very superficial understanding. Collection must be valued by famous artists, pay attention to art brand. People buy sculpture works, the artist is to buy the creative, rather than the value of the material.

    毕加索用一块烂铁做的作品，也比一位无名小卒用黄金做的东西要珍贵得多，因为毕加索本身已经赋予了这块铁以知名度和创造性。我们看看国外著名的博物馆就知道，德加的一些雕塑，放到现在已经非常陈旧了，却仍然是馆藏宝贝，不会因为几个沙眼就身价大跌。

    Picasso with a piece of rotten iron works, than a nobody gold things much more precious, because Picasso itself has given this iron to visibility and creative. We see foreign famous museum will know, some sculptures by Degas, into the now very old, but is still baby collection, not because of several Chlamydia is worth plummeted.

    单纯的技术问题是可以假以时日慢慢解决的，不必过分强调，只有工艺品才越发关注表面的光洁度等琐屑问题。

    Pure technical question is can be false to grow slowly to solve, need not too much emphasis on, only the arts and crafts more attention surface smoothness of the trivial problems.

    其实，铜雕的表现力比石雕要丰富太多了，种种飞跃、腾跳的轻巧动作，只有铜雕能做出来。譬如要做一匹马腾空而起，用一条腿支撑整件作品；或者一个人单脚站立，还举起另一个人，石雕是无能为力的，因为石材只能展现一些整体的语言，像蹲着或趴着的动作，除非玉石中的翡翠，因为硬度跟金属相差无几，才有接近于金属的广阔表现空间。

    In fact, the expressive force of the bronze than the stone to rich too much, all sorts of leap, Teng jump lightweight action, only the bronze can do it. Such as to do a horse vacated and, with one leg to support the whole piece; or a person standing on one foot, lifted another person, stone carving is powerless, because stone can only show some whole language, like squatting or lying on the action, unless in the jade jade, because the hardness and metal almost the same, it is close to the performance of metal and broad space.

    可见，石材的缺陷或说局限性很明显。即使是汉白玉看起来很漂亮，就艺术感染力而言，也并无优势汉白玉打磨得太光滑了，看起来会特别像工艺品，而且不小心摔到地上，就缺胳膊断腿的了。

    Visible, stone defect or limitation is obvious. Even white marble looks very beautiful, artistic appeal, there is no advantage of white marble polished, so smooth, seems to be particularly like arts and crafts, and accidentally fell to the ground, on the lack of arm to break a leg of the.

    说到底，现在的雕塑，无论石雕还是铜雕，都跟某些画家的作品一样，可以批量生产，最多体现的是工艺品的价值，对装点家居、点缀城市有用，但在艺术性、文化内涵上不足，难以传世。

    In the final analysis, now of the sculpture, regardless of stone or bronze, with some of the artist's works as, can be mass production, the largest manifestation of is value of the arts and crafts, useful to decorate their homes, dotting the city, but in art, cultural connotation insufficient, it is difficult to be handed down from ancient times.

    譬如圆明园那几个铜兽首，其实只是装饰品，现在炒作得这么热，不过是人为地将其拔高了。像夏商周的青铜器，承载着我们民族的文化，全世界著名的博物馆都在追逐，才真正值得收藏。

    Such as the Yuanmingyuan the bronze animal heads, is really just a decoration now speculation so hot, but is artificially overstating. Like Xia Shangzhou's bronze, carrying the culture of our nation, the world's famous museums are in the chase, it is worth collecting.