浮雕创作设计源自绘画创作，我们知道绘画在我国已经有很悠久的历史了，我国的国画以山水花鸟等写实的居多，而随着西方绘画的传入，我们学到了其神韵，绘画也从此分成了好多流派，比如抽象派等。

    Relief creation design from the painting, we know that the painting has a long history in our country, the Chinese painting with flowers and birds and flowers and birds, and the majority, and with the introduction of Western painting, we have learned its charm, painting is divided into a lot of schools, such as abstract.

    我国的浮雕作品也和绘画一样不在是单一的神像，和古代人物浮雕等同时也掺入了现在人们的思想。

    Our country's relief work also and the painting is not in the single image, and the ancient people's relief and so on simultaneously also mixed with the present people's thought。

    浮雕与园林有着密切的关系，历史上，浮雕一直作为园林中的装饰物而存在，即使到了现代社会，这一传统依然保留。

    The relief and the garden has the close relations, the history, the relief has been the garden decoration and the existence, even to the modern society, this tradition still retains.

    与现代浮雕相比，现代绘画由于自身的线条、块面和色彩似乎很容易被转化为设计平面图中的一些要素，因而在现代主义的初期，便对景观设计的发展产生了重要的影响。

    Compared with modern relief, modern painting, because of its own lines, block and color seems very easy to be transformed into some of the elements of the design plan, and thus the development of landscape design in the early stage of modern times.

    追求创新的景观设计师们已从现代绘画中获得了无穷的灵感，如锯齿线、阿米巴曲线、肾型等立体派和超现实派的形式语言在二战前的景观设计中常常被借用。

    The pursuit of innovative landscape designers has from the modern painting won the endless inspiration, such as jagged lines, amoebic curves and kidney type cubism and surrealism in the form of language in pre World War II landscape design is often borrow.

    而现代浮雕对景观的实质影响，是随着它自身某些方面的发展才产生。

    While the modern relief of the real impact of the landscape, with its own some aspects of the development to produce.

    据金兰草浮雕公司分析，现代雕塑一般向着这四个方面发展：

    According to the analysis of grass relief Jinlan company, modern sculpture generally towards the four aspects of development:

    1、走向抽象；要想浮雕与城市或园林溶为一体，就必须会用到抽象。

    1, towards the abstract; to the relief and the city or garden into one, it must be used in the abstract.

    2、走出室内；只有走到室外，与当地周围环境想溶合，才能让浮雕怡到好处。

    2, out of the room; only go outside, with the local environment around the environment to dissolve, can make the relief to benefit.

    3、扩大尺度；为了能和环境相衬，浮雕的尺度不可避免地扩大。

    3, in order to expand the scale; and environmental phase, expand the scale of the inevitable relief.

    4、使用自然材料；使用自然界的一些未经雕琢的原始材料，尤其在创作园林浮雕时这样会显得更为和谐和统一。

    4, the use of natural materials; the use of some of the nature of some of the original material, especially in the creation of garden relief will appear more harmonious and unified.