不锈钢浮雕，传统的浮雕观念中,浮雕以实体的形式存在,力求最大限度的占领空间,通过饱满的外形和结实的体量使人感觉到作者精神内涵的存在。
    Stainless steel relief, the traditional concept of relief, relief exists in the form of entity, and strive to maximize the occupied space, through the full shape and strong body make people feel that the spiritual connotation.

    对浮雕内空间和虚空间的探索,改变了传统浮雕的空间观念,使浮雕以新的面貌展现在我们面前.而金属由于其是加工手段和材料质感的多样化,为艺术家大胆自由的表现空间提供了可能,自然成为现代浮雕家的首选材料。
    Exploration of in relief space and virtual space, changing the traditional relief concept of space, the relief in order to show a new look in front of us. And the metal because of the diversification of means of processing and material texture, artists bold free space provides the possibility, naturally become the material of choice for modern relief.

    不锈钢浮雕，构成主义雕塑家佩夫斯奈一直以空间为主要表现手段,他希望用空间作为最好的浮雕媒介,而这种空间的媒介仅仅用线和难以察觉的面来表现一种最低限度的空间感。
    Stainless steel relief, constitute a doctrine sculptor Pevsner has been to space is the main way, he hopes to use space as the best relief media, and the media only lines and difficult to detect the surface to show a minimum of sense of space.

    不锈钢浮雕，他以金属片和金属条状物为材料,通过对有形空间和由线条排列交织而构成的面的相互穿插,巧妙组合,使浮雕足以限定它们所抱绕的空间和抱绕它们的空间,表达出作者对于形体内空间和虚空间的认识。
    Stainless steel relief, he with metal sheets and strips of metal materials by of physical space and by the arrangement of the lines interwoven to form the surface interpenetration, ingenious combination, make Cameo sufficient to define they hold around the space and hold around their space, expresses his understanding of physical space and virtual space.

    不锈钢浮雕今年也大面积被运用，新式材料的运用造就了其的发展。
    Stainless steel relief this year is also a large area of use, the use of new materials created its development.