浮雕，是在平面上雕刻出凹凸起伏形象的一种雕塑，是一种介于圆雕和绘画之间的艺术表现形式。

    Relief is in the plane carving out roughness of the image of a sculpture, is a cross between sculpture and painting art forms.

    浮雕的空间构造可以是三维的立体形态，也可以兼备某种平面形态；既可以依附于某种载体，又可相对独立地存在。一般地说来，为适合特定视点的观赏需要或装饰需要，浮雕相对圆雕的突出特征是经形体压缩处理后的二维或平面特性。浮雕与圆雕的不同之处，在于它相对的平面性与立体性。

    The space structure of the relief can be a three-dimensional form of the three-dimensional, but also can have a certain form of the plane, can attach to a certain kind of carrier, but also can exist independently. Generally speaking, is suitable for a particular view viewing needs or decorative needs, the outstanding feature of the relative relief sculpture in the round is the body compression of two-dimensional or planar characteristics. Different relief and sculpture in the round, it is relatively flat and solid.

    它的空间形态是介于绘画所具有的二维虚拟空间与圆雕所具有的三维实体空间之间的所谓压缩空间。压缩空间限定了浮雕空间的自由发展，在平面背景的依托下，圆雕的实体感减弱了，而更多地采纳和利用绘画及透视学中的虚拟与错觉来达到表现目的。

    Its spatial form is between paintings have 2D virtual space and sculpture in the round has the three-dimensional solid space between the so-called compressed space. Compression space defines the free development of relief space, in relying on the background plane and carvings of the entities are reduced, and more adoption and use of painting and perspective of virtual reality and illusion to achieve the performance objective.

    与圆雕相比，浮雕多按照绘画原则来处理空间和形体关系。但是，在反映审美意象这一中心追求上，浮雕和圆雕是完全一致，不同的手法形式所显示的只是某种外表特征。作为雕塑艺术的种类之一，浮雕首先表现出雕塑艺术的一般特征，即它的审美效果不但诉诸视觉而且涉及触觉。

    And round compared, according to the principle to deal with relief painting space and body relation. However, to reflect the aesthetic image of the pursuit, reliefs and sculpture in the round is exactly the same, different forms of manipulation shows just a certain appearance characteristics. As one of the types of sculpture art, the relief first shows the general feature of sculpture art, that is, the aesthetic effect not only appeals to the visual but also involves the sense of touch..

    与此同时，它又能很好地发挥绘画艺术在构图、题材和空间处理等方面的优势，表现圆雕所不能表现的内容和对象，譬如事件和人物的背景与环境、叙事情节的连续与转折、不同时空视角的自由切换、复杂多样事物的穿插和重叠等。平面上的雕凿与塑造，使浮雕可以综合雕塑与绘画的技术优势，保持手法上的多样性和多样化。

    At the same time, it can very well play advantage painting art in composition, subject matter, and spatial processing, etc., the performance of sculpture in the round is not by the performance of the content and the object, such as the events and characters of the background and environment, the narrative plot continuity and turning and different spatial and temporal perspective switch, complicated things interspersed and overlapping. Carving and shaping of the plane, make Cameo technical advantages of composite of sculpture and painting, style diversity and diversification.

    二维空间中的透视缩减，陪衬主体形象的背景刻画或虚拟，使浮雕的塑造语言比之其它雕塑尤其是圆雕，具有更强的叙事性同时也不失一般雕塑的表现性。

    In the two-dimensional space perspective foreshortening, foil the main image of the background to depict or virtual, embossed shaping language other than the sculpture especially the sculpture in the round, with a stronger narrative also do not lose the performance of general sculpture.

    压缩空间的不同程度，形成浮雕的二种基本形态——高浮雕和低浮雕。

    The different degrees of the compression space, the formation of two basic forms of relief - high relief and low relief.

    高浮雕由于起位较高、较厚，形体压缩程度较小，因此其空间构造和塑造特征更接近于圆雕，甚至部分局部处理完全采用圆雕的处理方式。高浮雕往往利用三维形体的空间起伏或夸张处理，形成浓缩的空间深度感和强烈的视觉冲击力，使浮雕艺术对于形象的塑造具有一种特别的表现力和魅力。

    High relief due to play a bit higher, with a thick, physical compression to a lesser extent, so its spatial structure and shape features closer to the sculpture, or even part of local treatment of fully using the sculpture processing mode. High relief often use the 3D object space fluctuation or exaggeration, forming a concentrated space a sense of depth and strong visual impact, make Cameo Art for the image with a special expressive and charm.

    法国巴黎戴高乐广场凯旋门上的著名建筑浮雕《1792年的出发》，是高浮雕的杰作。艺术家将圆雕与浮雕的处理手法加以成功的结合，充分地表现出人物相互叠错、起伏变化的复杂层次关系，给人以强烈的、扑面而来的视觉冲击感。

     France Paris De Gaulle square on the famous building relief "1792", is a masterpiece of high relief. Artists will be combined with the successful handling of the relief sculpture in the round with, fully showed character overlap each other in the wrong, ups and downs of a complex hierarchy, give a person with strong, blow on the face and visual impact.

    浅浮雕起位较低，形体压缩较大，平面感较强，更大程度地接近于绘画形式。它主要不是靠实体性空间来营造空间效果，而更多地利用绘画的描绘手法或透视、错觉等处理方式来造成较抽象的压缩空间，这有利于加强浮雕适合于载体的依附性。美索不达米亚的古亚述人，大概是最善长于用此手段进行艺术表现的艺术家。

    The shallow relief is lower, the body is compressed and the plane feels stronger, and the form of the painting is much more close to the form of painting.. It mainly does not depend on the substantial space to create spatial effects, and greater use of painting descriptions or perspective, illusion and other treatment to make the more abstract space compression, which is conducive to strengthen relief for carrier in the attachment. The ancient Assyria of Mesopotamia is probably the most good at the art performance of the artist.

    在一系列的“亚述人狩猎图”中，他们很好地运用浅浮雕手法，富有节奏感和韵律感地表现出充满生气的艺术形象，并以复杂的动势贴切地展现出人物和动物的内在情感。

    In a series of "the Assyrian hunting", they very well using shallow relief gimmick, rich sense of rhythm and rhyme sense with angry art image, and to complex EMFs aptly show the inner emotion of people and animals.

    浮雕空间压缩程度的选择，通常要考虑表现对象的功能、主题、环境位置和光线等因素，其中环境与光线因素起着决定性作用。优秀的雕塑家总能很好地处理这些关系，从而使作品达到良好的视觉效果。

    The choice of the degree of relief space compression, usually to consider the performance of the object, subject, environment, position and light, etc., in which the environment and light factor plays a decisive role. Good sculptor can always deal with these relations well, so that the work achieves a good visual effect.

    在充分表达审美思想情感的基本创作原则之下，浮雕的不同形态各有艺术品格上的侧重或表现的适应性。

    In the full expression of the aesthetic feelings of the basic creative principle, the different forms of the relief of the focus or the performance of the adaptive art.

    一般地说，高浮雕较大的空间深度和较强的可塑性，赋予其情感表达形式以庄重、沉稳、严肃、浑厚的效果和恢弘的气势；浅浮雕则以行云流水般涌动的绘画性线条和多视点切入的平面性构图，传递着轻音乐般的平和情调和抒情诗般的浪漫柔情。

    In general, high relief larger space depth and strong plasticity, giving the emotional expression form a dignified, calm, serious, vigorous effect and grand momentum; shallow relief to Hangyunliushui like surging painting lines and multi perspective of plane composition, passing light music like flat and tone and lyrical poems like the romantic tenderness.

    雕塑艺术的发展使圆雕日益强化了它的相对独立性，相比之下，浮雕虽然更多地受制于一种依存关系，即对“平面”或“墙面”的依赖，但其独特的表现特质和丰富的雕塑性造型手段仍是其它艺术形式无法替代的。而且，其审美特性在现代艺术革命的促进下，也日益强化了它的相对独立性。

    The development of sculpture art make Yuandiao increasingly strengthened its independence. In contrast, relief although more subject to a dependency, i.e., dependence on "flat" or "wall", but can not be replaced by its unique characteristics and rich sculpture modeling means is still open to other art forms. Moreover, the aesthetic features of the modern art revolution, but also strengthen its relative independence.

    对固定“墙面”的依赖性和适应性，在现代浮雕上已不再象古典浮雕那样显得那么地强烈、拘谨和不可动摇。对现代浮雕而言，作为载体或环境的“墙面”是自由的、可选择的，它因此具有自由发展的广阔空间。

    The dependence of "fixed" wall and adaptability, in the modern relief no longer like classical relief looked as so strong, stiff and inflexible. In the modern relief, as the carrier or the environment of the wall is free, optional, it has a broad space for free development.